"Imagine a small publisher that not only cares about good writing, but also goes to immense lengths to make that writing accessible in permanent, beautiful form. Imagine a small publisher that, instead of gluing its pages into the spines of books (thereby making it likely that the book will one day disintegrate), sews the pages together so that they'll never fall apart. Imagine a small publisher dedicated both to discovering new, young writers and to reprinting the best Canadian literature from the past.

"You're imagining The Porcupine's Quill." - The Montreal Gazette

"When I drifted into editing for Tim and Elke [Inkster] I wanted to favour the short story as a genre and I wanted to publish prose which was stylistically innovative. I was looking for excitement. I was looking for energy. I was looking for language that could strut and flaunt. I was looking for elegance and sophistication. I wanted to draw together into one place as many talented writers as I could find so that together we could assert relentlessly literature's importance and burn like a beacon in the gloom of Canada's uncertainties." - John Metcalf

"Tim Inkster started in the basement -- that is, shovelling cat dirt out of the basement at 671 Spadina Avenue in Toronto, the famous address where the House of Anansi, new press, and Press Porcepic all began. Inkster graduated from the University of Toronto in 1970 and went to work at Porcepic for one of his professors, Dave Godfrey. But he and his wife, Elke, decided that Toronto was a lousy place to live on low wages, and persuaded Godfrey to move Porcepic out of town. Godfrey chose Erin, Ontario.

"The Porcupine's Quill, the press that Tim and Elke Inkster eventually founded, might be called `second wave', arising directly out of that first wave of nationalist Canadian publishing that began in 1967. Working as a pressman at Porcepic, Tim Inkster (what a wonderfully fated name) became frustrated by Godfrey's reluctance to invest in a better printing press. So in 1974 Tim and Elke started The Porcupine's Quill simply as a production arm. But when the arrangement didn't work out, the Inksters decided to become independent, bought their own building across an alley -- where they still operate -- and moved in above it." - Books in Canada

"Among the first things you see when you enter the office of the literary press called The Porcupine's Quill are the awards for book design proudly affixed to the walls. There are Litho Awards and award certificates from the Alcuin Society, the Art Directors' Club, the Malahat Review, the American Institute of Graphic Arts, the Society of Graphic Designers of Canada and the Leipzig Book Fair. One of these certificates, for Virgil Burnett's A Comedy of Eros, bears an inscription: `Book design is one of the excellencies by which a civilization can be measured.'

"It's an inscription that could serve as a motto for The Porcupine's Quill owner-operators, Tim and Elke Inkster. They manage to live an eminently civilized life in their restored storefront building on the Main Street of this Southern Ontario town, all the while producing uncompromisingly fine books of literary fiction and poetry." - The Globe and Mail






























About
The Porcupine's Quill




The Porcupine's Quill was incorporated in 1974, originally as the production arm of Dave Godfrey's Press Porcepic. PQL published its first title in 1975 ... Brian Johnson's first and only book of poems, Marzipan Lies. Brian Johnson went on to publish his second and third books (one about railways, one about the Olympics in Calgary) with Key Porter. Brian Johnson is currently film critic for Macleans and has published a novel, Volcano Days, with Somerville House as well as a history of the Toronto International Film Festival with Random.

A number of the early titles (pre-1980) were slim volumes of poetry written by first-time authors that Tim Inkster knew from his student days editing literary magazines at the University of Toronto in the late 1960s. E.J. Carson's Scenes (1977) is one example of such a title. Ed Carson has subsequently distinguished himself as a publishing executive with Random House, Harper-Collins and currently Pearson Education Canada. Brian Henderson (Paracelsvs, PQL 1977) is now the publisher at Wilfrid Laurier University Press.

The Porcupine's Quill published Jane Urquhart's little poetry book The Little Flowers of Madame de Montespan in 1983, and her collection of stories, Storm Glass, in 1987. Jane Urquhart has subsequently achieved international fame and fortune with her novels (published by McClelland & Stewart) such as The Whirlpool and Changing Heaven.

The Porcupine's Quill has now been in business, in the same location, under the same management, for over twenty-five years.

Editorially, the early influence of poet Joe Rosenblatt has evolved to the current advice of John Metcalf (since 1989) with a predictable shift away from poetry towards fiction as the press began to contemplate larger volumes. That said, one of the more ambitious projects in recent years was the two-volume publication of the Collected Poems of P.K. Page. The Hidden Room, Volumes One and Two has been described as `one of the two dozen best books ever published in Canada.'

Early production-skill acclaim (notably from the Leipzig Book Fair and the Art Directors' Club of New York) has been augmented by recent editorial recognition that saw PQL place two out of five nominations for the best English language fiction in the 1991 Governor General's Awards (Blue Husbands by Don Dickinson and Quickening by Terry Griggs) and follow up with another fiction nomination in 1993 for Caroline Adderson's Bad Imaginings.

Forests of the Medieval World by Don Coles took first prize in the 1993 Governor General's Award for poetry.

Russell Smith's How Insensitive (1994) marked the third time in five years we'd reached the shortlist in English-language fiction with a first book by a hitherto-unknown author. How Insensitive was also short-listed for the SmithBooks/Books in Canada first novel award and the Trillium Award.

We've won the Geoffrey Bilson Award for Young Adult Historical Fiction (1991) for Fire Ship by Marianne Brandis and the John Glassco Translation prize (1991) for Matt Cohen's translation of Gaetan Brulotte's stories The Secret Voice.

We won our first Q-SPELL award for Ray Smith's A Night at the Opera (1992) and have twice won the Ethel Wilson B.C. Book Prize for fiction (1991 and 1993) for Don Dickinson's Blue Husbands and Caroline Adderson's Bad Imaginings.

More recently Elizabeth Hay's Small Change was shortlisted for the Governor General's Award (1997), the Rogers'/VIACOM prize administered by the Writers' Development Trust and the Trillium Prize. Buying on Time, by Antanas Sileika, was shortlisted for the City of Toronto Book Award in 1998, and for the Leacock Award. Jacob's Ladder by Joel Yanofsky was shortlisted for the Prix Parizeau and the Grand Prix de Montreal, and Promise of Shelter by Robyn Sarah was shortlisted for the Q-Spell award.

Most recently Mike Barnes' Aquarium won the Danuta Gleed Award for the best first collection of stories (1999), Linda Holeman's Devil's Darning Needle was shortlisted for the McNally Robinson prize in Manitoba, Michael Winter's One Last Good Look was shortlisted for the Newfoundland Book Award and K.D. Miller's Give Me Your Answer was shortlisted for the CNIB/Torgi Talking Books of the Year Award as well as the Upper Canada Brewing Writers' Craft Award.



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Contents © 2000 The Porcupine's Quill, Inc.--Updated: 19 December, 2000
The Porcupine's Quill, 68 Main Street, Erin, Ontario CANADA N0B 1T0
Telephone: (519) 833-9158; Fax (519) 833-9845
Web page created 97-04-25 by Brenda J. Sharpe