sewn paper
Anthology
1996
224 pages
ISBN 0-88984-183-7
$16.95

The PQL Reader
might help give some idea
of the sort of writing
we tend to publish.

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Advice to Writers

When I was sixteen, my mother exercised her influence and got me a job on an "extra gang", laying track in Northern Ontario for the Canadian National Railway.

Capreol, actually, was the place I joined the gang.

Later that summer (1967) the gang worked as far west as Hornepayne, and as far south as Burwash where I swapped a package of cigarettes for a standard issue government jacket off the back of an inmate working on the prison farm. Which I wore proudly to French class in my first year at the University of Toronto.

I did not do well, in French, in my first year at the University of Toronto.

I remember one of my first days on the railway, I was dispatched on foot several miles down the track to fetch a "sky hook", and a "bucket of steam".

Naive as I was, at sixteen, I do seem to recall that I walked several hundred yards, tripping over railway ties each yard and a quarter, before I realized that I wouldn't know what a "sky hook" was if I found one, and (more troublesome) the notion of a "bucket of steam" was improbable.

You may be wondering what this story has to do with literary publishing.

There is a joke we share with publishing interns starting work at the shop in Erin Village that a good editor can tell if a manuscript is publishable by looking at the OUTside of the manilla envelope in which it arrives. This is, of course, not true.

And most of the publishing interns who would "buy" into the envelope story would also be likely candidates for dispatch to the warehouse in search of "sky hooks" to hang more steel shelving for cases of unsold books.

There is, of course, something to be learned from each of these two anecdotes.

We do receive a large volume of e-mail from writers asking how to get published. Not quite as many as the messages I receive each morning advising that my penis is inadequate, but still ... please do NOT e-mail us with samples of your work; you will only be disappointed.

The Porcupine's Quill, like many other small presses, can publish no more than a dozen new titles per year, and these are generally selected at least eighteen months in advance of their release. All of our authors have published before, although they may not have had their work appear in book form.

There is no magic formula -- it is very hard work to get established as a writer. You have to go to readings, read everything in sight, acquaint yourself with what types of things magazines and publishers publish, and edit your work til your fingers bleed. If you don't know what magazines publish what kinds of work, find out. It may be discouraging but it's a fact that, these days, no one gets a book published without having first published stories in literary magazines, attended writing classes, and read their work aloud in coffee houses to crowds of three.

Writing is a competitive business; if you are serious about it you will need to work as hard as you would to prepare for any other profession. Many writers find university writing clubs and author's associations to be helpful. Even if you prefer to toil alone, make sure you do your homework. Remember: it is not an editor's job to teach you how to write, or how to prepare work for publication.
 

And keep on writing.