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Let That Bad Air OutStefan Berg
`I thought I heard Buddy Bolden shout ``Open up that window and let
that bad air out'' ' -- Jelly Roll Morton, from `Buddy Bolden Blues' Let that Bad Air Out tells the tragic end of a brilliant musician using
traditional linocut printmaking techniques executed with a sharp and contemporary boldness.
Stefan Berg revives the wordless graphic novel in his portrait of the
`first man of jazz'. Very little is known of Buddy Bolden. His music was
never recorded and there is only one existing photograph, yet he is
considered to be the first bandleader to play the improvised music that has
since become known as jazz.
Let That Bad Air Out: Buddy Bolden's Last
Parade portrays the culture of New Orleans parade music through
the narrative of Buddy Bolden's final parade. The novel consists
of seventy images cut from linoleum. Stories told
in pictures have a universality that transcends the boundaries of any
spoken or written language providing the reader with a unique
experience of a narrative akin to a silent film.
It was the culture of the New Orleans parade and its unique music that sparked
Berg's interest in Buddy Bolden. He wanted to tell the story of Bolden's music and
capture the energy and the movement of the parade in hand carved images. Bolden
played his cornet with such power and clarity that it is said his music could be
heard from miles away. Because he was never recorded, this unique sound has been
lost to history. The quiet left in Bolden's wake seems a fitting subject for the
silent novel. in Toronto at Mirvish Books on Markham Street (December, 2007) is available on YouTube `Berg has done a dandy job of recreating the whole march, from its gleaming beginning to the cornet player's falling collapse into the dark hole of madness. The powerful final image is of a cornet, the mouthpiece no longer in place. ... For all the book's dark content, a smart refreshing breeze wafts from its pages, the result of a lovely combo of artistic and bookmaking craft. Well done.' |
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Stefan Berg is a painter and printmaker. He is currently completing his final year at the Ontario College of Art and Design. He curated the 2005 Collage Methodologies group show, and participates in several independent print collectives including the End Street Studio and the Free North Press. He has been featured in the Canadian small press publications Cut And Print and Block Cutters Social Klub, published by the Free North Press. Free North Press also published Berg's first independent book After A while, a selection of block work.
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Search by Title Contents © 2007 The Porcupine's Quill, Inc. - Updated: 27 December 2007 by Tim Inkster The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council The Porcupine's Quill is remarkable in Canadian publishing in that most of the physical production We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving.
The Porcupine's Quill, 68 Main Street, Erin, Ontario CANADA N0B 1T0
Telephone (519) 833-9158 Fax (519) 833-9845 e-mail pql@sentex.net
and the Canada Council for the Arts for our publishing program. The financial support
of the Government of Canada through the Book Publishing Industry Development Program (BPIDP)
is also gratefully acknowledged. Thanks, also, to the Government of Ontario
through the Ontario Media Development Corporation's Ontario Book Publisher's Tax Credit
(OBPTC) programme and the Ontario Book Initiative.
of our books is completed in-house at the shop on the Main Street of Erin Village.
The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.
in general, and the operation of a Heidelberg KORD in particular.