Shortlisted for the 2003 Commonwealth Writers Prize,
          Best First Book Category (Canada & Caribbean Region)

The Deep is a vivid, accomplished tale of twin sisters caught up in the mania that was World War I. The year is 1918. Esther and Ruth, living a life privileged and protected, embark upon a journey to France that will profoundly affect their relationship with each other, those they leave behind and those they have yet to meet.

In France, their experiences bring them face to face with the horrors and tragedy of war, but also expose them to a world alive with drama. Mary Swan's ability to create the images and atmosphere of this strange world is her greatest strength.

`Try to imagine this. A refugee train unloading at a station ... You see a young girl, nine or ten maybe, who looks around and around but seems to be alone in that crowd ... The child scans the crowd, her head moves back and forth, her eyes flick here and there, but you can tell from those eyes that she doesn't expect to recognize anyone. So as you make your way to her, as you bend down so that she can hear you, as you bend down to take a closer look at the bundle she is carrying, which is now making tiny mewling sounds, as you, still stooping, put an arm about her narrow shoulders and feel what you couldn't see, the way her whole body trembles as if it will never stop, as you move her with her sleepwalker's stumble toward the big red cross and whatever can be done - as you do all that, you find you are remembering a doll you had once, after Ophelia, the way you took it everywhere with you, fed it and talked to it just like a real baby. And that makes you remember green grass and the feeling of sunlight on your skin, someone's voice singing, a host of things. If you couldn't do that, it's hard to know what would happen. Probably you would just die for sorrow.'
    (from The Deep)

`What I find most compelling, even startling ... is the urgency of feeling and the calm beauty of the telling. This is a writer who arrives with grace and authority.'
    - Alice Munro

`In the present literary-critical climate, if this book receives any attention at all (which is, alas, by no means certain), it is likely to be praised for presenting women's experience and attitudes in what is almost invariably regarded as an all-male preserve. This would not be inaccurate, but it would be hopelessly beside the point. What ought to be emphasized is the fact that The Deep Mary Swan's first book-length publication, introduces a potentially major writer to the Canadian scene. This novella is faultlessly written, artfully controlled, unforgettable. The world of 1918 is splendidly evoked, but, as we read, we should be responding to the sheer beauty of Swan's unostentatious but crisp and impeccable prose. A brilliant debut. Read it.'
    - W.J. Keith, Canadian Book Review Annual

`The narrative is electrified by [an] audacious double voice, along with an equally audacious structural complexity. Swift movements through time and space and shifts in perspective among a small army of supporting characters might easily have led to confusion. Yet the care and control of Swan's writing, the sustained patterns of her imagery and the sheer beauty of her prose clarify everything that is essential to the story while preserving its central mystery.'
    - Andrea Barrett, The New York Times

`The subtlety and compression of this writing are rare indeed.... Savour this gem, and watch for Swan's next.'
    - Jim Bartley, The Globe and Mail

`There is something sexy about the alienating elegance of Swan's prose. Terrible events at the battlefront are referred to alongside ordinary events in hotels and bars. But it is the objects, the materials of daily life, that get the most attention.'
    - Natalee Caple, eye