sewn paper
Ms Cassie broadsides
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Hiram and JennyRichard OutramHiram and Jenny concerns the comings and goings, the deeds and
evasions, the Private Poems and Sacred Ejaculations, the maunderings and
heroics, the reflections and refractions of past, present and future, of
one Hiram and his lady friend Jenny, together with their cast of somewhat
skewed friends and often amicable foes, as often as not relatives, who
live in and around a small town somewhere in the Canadian Maritimes.
`Outram's latest and perhaps most accomplished book, Hiram and Jenny,
is a good place to begin an exploration of Outram's writing. It is a cohesive book,
not a collection of random poems. At its core are man and woman, the multitudinous
couple, sitting at the water's edge and leading lives which, like those of Adam
and Eve, contain the whole of mankind - every thought, every war, every
discovery, every death. At work in Outram's poems is that creature derided in so
much of our accepted literature: the moralist, the person who, in the simplest terms,
is concerned with how we behave. In many of the poems,
a casual reader might be deceived by the humour, by the cartoon-like
slang of Hiram and Jenny's speech, but Outram is never merely whimsical.
Behind the wit are nagging unfashionable questions about body and soul,
intimations of God in nature, assertations of the ineluctable power of love
which binds us to the fabric of the universe.' Alberto Manguel, Saturday
Night
`These narrative poems cover many topics and happenings in the lives of our
protagonists. The author deals with mundane events in a whimsical fashion which
is often humourous, sometimes sad. There is nothing extraordinary or heroic
about any of these people or incidents, but Outram manages to see the bizarre
or ridiculous side of a situation, and this saves the book from banality. There
is also a spiritual quality which balances the vernacular style. Richard Outram may
well be a Canadian Dylan Thomas; I suspect the Hiram and Jenny pieces
would lend themselves wonderfully to being read aloud. Whether history will place him
as one of this century's great lyric story-tellers remains to be seen. At any
rate this is a captivating book.' - Canadian Book Review Annual |
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Photo by Barbara Howard |
Richard Outram was born in Canada in 1930. He graduated from the
University of Toronto (English and Philosophy) and
worked for many years at the
Canadian Broadcasting Corporation
as a stagehand crew leader. He wrote more than
twenty books, four of these published by the Porcupine's
Quill (Man in Love [1985],
Hiram and Jenny [1988], Mogul Recollected [1993],
and Dove Legend [2001]). He won the City of Toronto
Book Award in 1999 for his collection Benedict Abroad (St Thomas Poetry
Series). His work is the subject of a
book-length study, `Her Kindled Shadow...': An Introduction to
the Work of Richard Outram, by Peter Sanger (Nova Scotia: The Antigonish Review, 2001/2002).
Outram married painter and wood engraver Barbara Howard in 1957. Together, they produced many fine books and broadsides under their imprint, the Gauntlet Press. In 1999, poet and artist were celebrated with an exhibition of their work at the Robarts Library, University of Toronto, and the publication of a special issue of The Devil's Artisan: A Journal of the Printing Arts (Number 44). A cyber-exhibition of Gauntlet Press broadsides, entitled Ms Cassie, is featured on the Porcupine's Quill web site. Richard Outram, stricken by grief over the loss of his beloved Barbara, took his life by his own hand in January of 2005.
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The Porcupine's Quill is remarkable in Canadian publishing in that most of the physical production
of our books is completed in-house at the shop on the Main Street of Erin Village.
We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid.
The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.