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Uncomfortably Numb is one Bad Imaginings, A Litany in Time of Plague, The One with the News, |
Uncomfortably NumbSharon EnglishA city suburb, 1980. The front of propriety, the freakish stillness and the bush parties. This is the home of Germaine Stevens, a social misfit who thinks she's struck ultimate cool when she's accepted into her preppie high school's only counter-culture group, the Rockers. Yet has she really just traded one kind of conformity for another? And is she still a loser? Her friends are desperate characters: Regina's on the road to ruin, Bono's more boy than girl, and Jackie's postering her bedroom into a rock'n'roll tomb. Yet beneath the party-hardy attitude, no one is as disaffected as they seem, or want to be. In a voice that ranges from tough to achingly vulnerable, Sharon English powerfully conveys the anger, lust and absurdity that spiral into one girl's growing fight against the tuned-out numbness of her world. `Germaine-German-Germ Steeves is not one of MacKenzie High's preppie all-stars.
She smokes pot on a regular basis with the other losers and gets full columns of
C's on her report cards. One of her best friends is turning her bedroom into a monument
to dead rock stars; the other is known as the Blow Job Queen. All Germaine wants to do
is survive her parents' tough love program, get a real boyfriend, and make it through high school.
After Grade 9, only four more years to go.
Wellington, Ontario, circa 1980, where every kid knows every lyric to Pink
Floyd's The Wall, is the setting for this collection of linked stories. English tells each story
from Germaine's point of view as she struggles through high school. We see Germaine's shifting attitudes,
beliefs, and expectations, and never for a moment do we doubt that she is genuine. Each story
is written differently, the style changing as Germaine changes. In the later stories, the style
is a little more experimental, drawing us into the murkiness and confusion that Germaine is experiencing.
The last story, though, is very clear-headed, as she has a revelation and is filled with hope
about life after MacKenzie High.
As with potato chips, you can't consume just one of these stories at a sitting.
English's writing is powerful and addictive -- so much so that at the end of the last story
I wanted to turn back to the first page and start over.' `Irony is left to the characters, who use it like a weapon. The result
is highly readable, peppered with spicy bad-girlishness and teenage suburban
wretchedness that rings true on nearly every page. It is nostalgic without
being mawkish, reminding the reader that, no matter how many times
we hear that youth is everything, trying to stay cool in high school is an
often-lost battle.' `English's book is told in a series of short stories with all the same characters over the span of a year and a half as the characters are nearing the end of their high school lives. People grow up. People grow stupider. People make life altering decisions that will only come back to haunt them in the years to come. English grabs your hand and leads you through these people's lives like a tour guide through a parenting manual on how to not raise your kids. It's not that the kids in this book are real bad. They just make uninformed choices when only a little guidance could have led them on a straight and narrow path. `If it came down to having to choose between [Mary Lou] Zeitoun's 13
and Uncomfortably Numb to re-read, or pass along
to a teenager who needs a little something to relate to as she grows
through her formative years, Uncomfortably Numb would definitely be
the choice. Both were good reads, but Numb was just that much better
than I might just read it again soon. One can never have enough lessons
in parenting.' `English's first collection adds weight to the premise that the
linked short story is our strongest form. She risks the hard discipline
of remaining in the heart and behind the eyes of a suburban
teenager, and with no narrative cheating. She pulls it off.' `The Wellington of Sharon English's debut collection is a city
unmistakably like her hometown of London, Ont. A linked-story
exploration of teenage angst and folly, this book would likely make its
author the main event at her high-school reunion - if she dared to
show. In the tidy suburb of Greenview, Germaine Stevens joins her friend
Jackie in a darkened bedroom. Jackie may have "an idiot" for a dad -
but a useful one. He's a drug wholesaler with a station wagon full of
samples. To the raw tones of Meat Loaf, the girls pop tabs of Probene
"for the relief of stress, anxiety and mental agitation." Barely
graduated from building snow forts, the two now collaborate on bedroom
shrines to flamed-out rock stars. Jimi Hendrix gets a black baby doll
mummified in gauze; Jim Morrison sulks from a poster with X's taped over
his eyes. Germaine ("Germ" to her dearest) is our jaded guide to a life
cursed with two-faced parents, laughable teachers and gag-making, uncool
schoolmates - such as Debbie, who whispers in French class with minty
breath, "It's freaky ... but I really feel Tony's my destiny." She's
even got the diamond to prove it.' |
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Photo by Jolie Dobson |
Sharon English was born in London, Ontario, where, for
a while, she excelled mostly at memorizing song lyrics and episodes
of Star Trek. She eventually studied English literature
at the University of Western Ontario and at the University of British Columbia, where
she dropped out of a Ph.D. program to pursue fiction writing.
Since then she has held various jobs, and now works as a teacher
and freelance editor in Toronto. Uncomfortably Numb is her
first book.
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The Porcupine's Quill is remarkable in Canadian publishing in that most of the physical production
of our books is completed in-house at the shop on the Main Street of Erin Village.
We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid.
The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.